Wednesday, 11 January 2017

OUGD601 - Context of Practice 3 Final Essay




Alexander James Robertson

BA (Hons) Graphic Design Level 6

2016/17

Do We Wear The Brand or Does The Brand Wear Us?
 

7284 words
 
 



































Contents

Images........................................................................................................................................................................................... 3
Introduction............................................................................................................................................................................. 5
Chapter One - Brand Identity and Brand Awareness............................................................................. 7
Chapter Two  - Brand Image and Brand Equity..................................................................................... 13
Chapter Three   - Brand Psychology............................................................................................................... 20
Conclusion.............................................................................................................................................................................. 24
List of Images...................................................................................................................................................................... 26
Bibliography......................................................................................................................................................................... 27


















 





 

Images


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Figure 1. IBM logo

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Figure 2. Supreme logo

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Figure 3. Barbara Kruger inspiration for the Supreme logo
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Figure 4. Colour theory in branding
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Figure 5. Coca-Cola life typographic logo



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Figure 6. Apple iPhone packaging 

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Figure 7. Nike running leggings
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Figure 8.  Supreme box logo hoodie    

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Figure 9. Maslow’s hierarchy of needs    




Do We Wear The Brand or Does The Brand Wear Us?

Introduction


It would be ignorant to believe that we go shopping in Ralph Lauren shirts, Levi jeans and Nike trainers with our iPhone’s in hand to buy clothes that we just ‘liked the look of’ on ASOS as we were browsing on our MacBook. Companies invest millions so that the consumers invest in them by buying their products and promote the brand just by using or wearing their products.

‘The brand is controlled by us – the customers. When a brand is really successful it can take off in way and at a pace, which bewilders those who purport to be in charge of it; and when a brand gets into trouble the opposite can happen. Look at Gap, which lost touch with its market place and tried to sell things people didn’t like anymore.’ (Marketing, 2014)

The assertion ‘Do We Wear The Brand or Does The Brand Wear Us?’ has become an increasingly important question as the amount of disposable income the average consumer has increased along with the amount of brands competing for their custom. Brands cannot simply rely upon their products selling because the customer likes the look of the item now that there are so many different options available at the touch of a button or in a large shopping center. A brand needs to stand out from the rest, promote their unnecessary products as necessary to ensure their products are desired and bought time and time again, no matter the price tag.

This essay will explore the components that make up a brand, to assess whether the success of these elements promote the assertion ‘We Wear The Brand’ or ‘The Brand Wears Us’. Firstly, I shall break down the aspects that build up a brands identity and explore each factors importance in establishing brand awareness. Brand awareness is fundamental in ensuring that the customers select a certain brand over its many competitors. Secondly, I will review brand equity and the impact a brands image has on the sale of its products. To do this I shall review brands, including Abercrombie and Fitch and Apple, whom have opposite consumer perception’s to assess as to whether a brands image impacts the sales of their products and the hold they maintain on their customers. Establishing the components that create a successful brand, that repeatedly sells products to the masses, is essential in reviewing as to whether the customers are choosing to wear the brand or whether the brand has ensured that they are being worn. Finally, I will explore



the psychology around brand selection to explore whether the customers select the products they purchase via free will or whether this is influenced by external factors manipulated by brands


marketing techniques. Reviewing all of these aspects will allow me to understand whether the customers purchases the products they do because they chose to, or a brand manipulates all of its fundamental components to ensure their products are desired so much so that customers subconsciously will always chose their products.

To obtain an in depth understanding of the assertions and theories I read in a range of books and internet sites, I interviewed a range of Supreme customers as they queued to purchase the brands merchandise to gain some firsthand opinions. By asking these customers, whom had been queuing since early that morning in an attempt to purchase some Limited Edition clothing, a range of questions surrounding their reasoning for purchasing Supreme clothing provided a firsthand account as to whether they felt that they were wearing Supreme or if Supreme was in fact wearing them. Sections of these interviews will be included throughout this essay but the full interviews, and photographs taken of the Supreme customers, can be found in the 56 pages magazine I created as the practical aspect of this dissertation.     


















Do We Wear The Brand or Does The Brand Wear Us?

Chapter One - Brand Identity and Brand Awareness


When creating a brand, the company’s first and fundamental design equity stage is establishing a strong and focused brand identity. ‘A company's brand identity is how that business wants to be perceived by consumers.’ (Investopdia.com, 2010) This identity is created by focusing a range of the brands key visual components on the values and appeal it is to bring to the market, and creating something that becomes recognizable to the consumer. It is essential that we establish that brand identity is separate from brand image, which will be focused on in Chapter Two, although the two elements link significantly. Brand identity is how the company attempts to portray themselves and their products, whereas brand image is how the consumers actually perceive the brand. In this chapter I will explore brand identity, its importance in establishing brand awareness and assess whether this impacts the consumer’s decision in their selection of products.

The way in which the public recognizes a certain company or brand comes from the familiarity it establishes with the visual elements they create for the brand, such as the name, logo, tagline, colour scheme, packaging and typefaces. All of these elements must fit together well and be consistent amongst all the brands products and produce to ensure it creates brand awareness. A recognizable identity is essential for any company; they want it to stick in the minds of any consumer. (Investopedia.com, 2016) The logo is the main element in brand identity; a logo is the graphic symbol that represents a person, company or organization. A range of brands, such as Coca-Cola and Disney, chose to use their brand name as their logo, creating a typographic logo, to establish a cohesive brand identity. Logotype ensures quick connection between the brand, logo and product establishing brand awareness instantly. Although often a company’s logo becomes more familiar to the customer than the companies name itself, brands with long names will use shorthand abbreviations of their name for the convenience of the customers and to make them more memorable. This is represented perfectly with the company ‘International Business Machines’. The majority of this company’s customers may not be aware of whom this company is, let alone that they are its customers. However if one refers to this company by its acronym logo ‘IBM’ (Figure 1) the company is recognized as a globally renowned household name. (Morgan and Lloyd Morgan, 1999, P.15) The logo can be the most significant aspect of brand identity as it allows the brand to be recognized and advertised with ease.  Successful and




established brands are able to advertise and promote themselves without the brand name, with just the use of their well-known logos. Often these logos have a bearing on the company’s name, such as the previous example IBM, along with Apple, KFC and Gucci. Although brands such as Nike, Puma and Adidas have built such a strong combined brand identity and thus brand awareness that their logos, with no bearing on their brand name, quickly establishes a connection with the public on a global scale. 

Whichever style of logo a brand choses to use, the importance is that they ensure that this logo is used consistently and excessively to ensure that it becomes established as the widely recognized symbol of the brand and creating brand awareness amongst the public. This allows the company to produce a range of products that are quickly recognized as belong to that particular brand. As long as the logo remains consistent, a company can expand and adapt their products yet still stay recognizable. More often than not, a logo is featured on all products a brand produces. The popular street wear brand ‘Supreme’ (Figure 2) ensure that their simple red and white logo inspired by Barbara Kruger’s artwork (Figure 3) appears in the center of all of their products. This design choice has led to vast popularity with hundreds of customers queuing up in an attempt to purchase plain clothing with the logo branded on the front. This brands popularity is now from the recognizable logo alone. This is also especially true of sports clothing. Brands such as Nike, Adidas and Puma use their logos as the main design feature of their products. Due to this public’s familiarity to these logos, this provides an alternative advertisement strategy for the brand and the customers becomes a walking mannequin, ultimately paying the brand money in order to promote them.  The purpose of this is explained below.

‘The ultimate goal with brand awareness, of course, is to be the first in line in the minds of consumers. For example, when someone wants new basketball shoes, perhaps Nike is the first brand that comes to mind. Depending on the product or service you provide, being first in line is what you are looking to achieve when it comes to brand awareness’ (How important is brand identity? 2015)

Whilst the logo is an essential aspect of the brands identity, the colours a brand choses to use for its logo, products and advertisements are crucial to ensure brand awareness and customer selection. The human brain is programmed to prefer immediately recognizable brands and the colours a brand choses to use is a fundamental factor, as the brain absorbs colour before any other aspects of information. All animals are programmed to respond to colours; albeit different species see and react to colours in different ways. Some animals are brightly coloured, with


yellow or red stripes to warn of predators as it is seen as poisonous whereas humans are socially conditioned to view green as ‘Go’ and red as ‘Stop’. Whilst there has been many psychological
studies on the impact of colour stating that our responses to certain colours is subjective, based upon passed experiences and preferences, ‘there are a few generalities about how people respond to color’. (The ultimate guide to using colour psychology in marketing + free colour schemes, 2016) In the study ‘Exciting Red and Competent Blue’ (Scout, 2016) by Author Satyendra Singh it was concluded that a customers purchasing intent is influenced greatly by colour, as the colour is seen to reflect the brands personality.Who, for example, would want to buy a Harley Davidson motorcycle if they didn’t get the feeling that Harleys were rugged and cool? (Scout, 2016) A further study titled ‘Impact of Colour on Marketing’ established that up to 90% of our snap judgments made in regards to products are down to our perception to the colour alone. The colours a brand uses should reflect the message they intend to deliver and be appropriate for their products or services.

Colour theory (Figure 4) is a key aspect in choosing the right colour for the brand as each colour represents different emotions or portrays a different message. A perfect example of a brand creating global brand awareness with its use of colour is Coca-Cola. Coca-Cola has created brand awareness with the colour red with heir logo and the vast majority of their products and advertisements using a bright shade of red.

Red is a very powerful, dynamic color that reflects our physical needs whether to show affection and love, or to portray terror, fear, and survival. Red is also a very energizing color that can portray friendliness and strength’ (The ultimate guide to using colour psychology in marketing + free colour schemes, 2016).

The success this brand has had with colour and brand awareness is represented by their manipulation of Father Christmas.  In 1931, the soft drink giants, Coca-Cola wanted a campaign to show a realistic and symbolic Santa, hiring illustrator Haddon Sundblom to create an advertisement using Santa Claus. The final produce took one the most loved childhood heroes and turned him into one of the biggest advertising campaign by just using their powerful colour red. Thus the colour Coca-Cola selected has become fundamental to their brand identity and brand awareness as when one thinks of Christmas or even the colour red you think of Cola-Cola’s produced and adverts. There colour red works perfectly with what people see as Christmas, family, love, happy and sharing. Christmas links perfectly with how Coca-Cola wants to seen by is consumers.


‘Coca-Cola has built this personality through advertising campaigns promotions that position the drink clearly in a relaxed, happy, youthful environment, essentially participatory and informal.’ (Morgan and Lloyd-Morgan, 1999, p.75)

However, Coca-Cola also stray from their usual red and amend their colour scheme, still founded upon colour theory, to best suit their range of products. Coca-Cola Life (Figure 5) uses the colour green to represent health whereas Coca-Cola Zero uses black, a very reserved color that completely lacks any light as its an absence of all the colours, to represent the absences of calories. The brand has the ability to do this and still ensure the consumer recognizes their products as they keep the other fundamental aspects of their brand identity remain consistent and recognizable, often their typographic logo and the shape of their cans or bottles. This is key for clothing brands, as the design and styles of clothing change from season to season, they must ensure that they keep fundamental aspects of design the same, to ensure the brand identity remains strong and the customers remain enticed.

Packaging and produced design is a key element in brand identity; both of these will include the logo, colour and typeface.

‘When a product is sitting on a shelf or hanging on a rack, its package is the only way it can market itself. That package is the only chance that product has to make an emotional connection and persuade the consumer to buy it.’ (Red Chilli: The importance of packaging when marketing a product, 2001)

 The Studies have shown that the customer buys instinctively by colour and shape leading brands to market to the reptilian brain that responds before logic. The company thus designs their products and packaging to include ‘Biomotive Triggers’. There are vast ranges of triggers that connect with the customer on a subconscious level, generating an emotional response before the conscious mind responds. Colour and brand recognition are key triggers, thus most products will have a cohesive range of colours and usually feature the brands logo whilst producing products that are similar to one another so the brain links the items together. These ‘Biomotive Triggers’ are fundamental to Apples product and packaging design. 

(Figure 6) Apple products and packaging colors are also an extension of the brands image that the companies are trying to get across to its consumers. The technology giant has been manufacturing products since 1976 and whilst the products have been evolved gradually with



increased technology, Apple has kept some aspects of the design consistent across all of its manufactured goods and packaging. This allows the products to be recognized by the consumers not matter what generation or product it is. All of the products use key aesthetics that can be acknowledged by the public these are colour, shape and logo. Apple always uses a simple colour palette using metallic shades of black, white, silver and now rose gold. It is said that ‘simple design is more effective. In a busy, visually agitated market, we so rarely experience moments of visual or auditory calm that we gravitate toward it. (Marketing, 2014) These colours represent and reflect sleek, modern, clean, simple and innovative Apples key elements in it brand aesthetics and brand identity.

For a brand to be successful it must stand out from the market in a distinct way. ‘Effective packaging makes it easy to understand at a glance, who I am, what I am, and why I am relevant to your life. Naturally, the product has to deliver on its promise to ensure repeat purchase.’ (Marketing, 2014) All products also have the well know Apple logo located on the back. However even if the produced an iPhone is placed with the logo down on a table for example, the shape of the casing and the circular shaped button can still be recognize as an Apple product and this appears on all iPhones, iPods and iPads. Apple has used their brand image and message on their products and packaging, ‘make the package part of the experience. Part of the reason it's so fun to unbox a new Apple product is that it’s packaging reflects the sleek, user-friendly experience of the product inside.’ (Conran, 2014) Thus Apple have brought together a clear brand indemnity with an attractive product that is iconic and provides the message they would like to promote; that the product has top of the range technology, nearly the most complex on the market, yet is simple to use. This entices a vast audience, whilst creating a market for their future products before they have even been designed.

Brand identify is thus the main elements of design used to ensure the company and its products are recognizable, ensuring when a customer buys a product they are buying into this identity and wearing this identity rather than their own. For example (Figure 7), if a customer goes into a shop and purchases a pair of black Nike running leggings, with the Nike logo running up the leg, they have now become a walking advert for Nike. They purchased these leggings because they were led to buy that product as they were aware of the brand from advertising, recognized the product as it displayed the logo and selected them due to their fondness of the design and colours. The customer thus buys the product, as they would like to be an extension of the brand, the sleek look of the black smooth leggings and the popular logo promotes their selection to their



peers. The customer believed that they chose it because they liked the product, but many factors implemented by Nike ensured that the customer selected their product. Whilst many other factors come to play in ensuring a brand is selected, which will be focused on in later chapters, brand identity is fundamental in ensuring customer selections of products, and if used well, allows the company to brand their customers.  Thus promoting the assertion that the ‘Brand Wears Us’.

































Do We Wear The Brand or Does The Brand Wear Us?

Chapter Two  - Brand Image and Brand Equity


Brand Image and Equity are the impressions left with the consumers of the brand itself and creating a positive image and equity is essential for a brand to become successful and promote the ascertain that ‘the brand wears us’. ‘Brand image is developed over time through advertising campaigns with a consistent theme, and is authenticated through the consumers direct experience.’ (Do you know this term? 2017) Similarly brand equity is the value a company generates from a product. Brands create equity by creating products that are memorable, recognizable and high quality. And is developed by consumer perception that is built from knowledge and experience they have with the product. The perception the customer has on the brand, if it’s positive, can have financial benefits as it the customer would then chose that product or brand again. When consumers are purchasing a product from a brand, they are not just buying into the product but the brands image. If a company creates a strong brand identify and a positive image showing them to be respectable and reliable, then customers will view all of their products in the same light increasing the likelihood that the products are purchased. Apple is a prime example of a company with a good brand image, their products are reliable and they ensure that if their products fail, they are fixed or replaced with haste. ‘Positive brand image is exceeding the customer’s expectations. Positive brand image enhances the goodwill and brand value of an organization.’ (Management study guide, 2017) Whereas their competitor Samsung’s image has declined due design failure and some of their smartphones catching fire. This led to a product recall, and then another recall of the replacements. This had led to a distrust of the products, damaging the brands image, reducing the likelihood of the products being purchased thus creating negative brand equity.  Costumer association’s is what builds a brands image.

‘Brand is based on the association that people make with a company in addition to its tangible material aspects so that it exists in the minds and hearts of the consumer.’ (Hancock, Muratovski and Manlow, 2014, p.68)

Brand image is based on consumers associating brands products with the image the brand wants to be identifies with: Nike and high performance, Rolex and luxury, Tesco with affordability. Brand identity plus brand image is what creates a successful company and it instills brand equity. Brands create their image and positive equity over time. They must produce new product lines and ensure that their product is constituent in quality, in order to develop customer loyalty,


‘People have a terrific loyalty to their brand of cigarette and yet in tests cannot tell it from other brands. They are smoking an image completely.’(Packard and Miller, 2007. P.65)

The fundamental factor in ensuring brand equity is the quality of the product, or more importantly, the perception the customer has in regards to the quality of the product. If the product preforms its function well and looks aesthetically pleasing, then the customer will view this product as high quality and pay the asking price without hesitation, even if it made in the cheapest way possible. A prime example would be Apple iPhones. iPhones can cost around £600, whilst it is common knowledge that these are made in factories across China with the production cost being a fraction of the retail price. If the quality of the iPhone were poor, then customers would not pay these prices, or chose Apple products again. Thus, the first step, and the most important step in brand equity, is customer perception. A positive perception to a product enable the brand to perform their key role of selling their current stock and secures the success of future sales. Nearly all Apple customers would upgrade their iPhones to the next generation of iPhone. Similarly, Nike’s products are seen as durable as well as fashionable, opening their products up to a wide audience. When a customer purchases a Nike product the brand have ensured that it always preforms its function and the quality is high. This means that the customer has a good overall perception of not only that product, but also Nike as a brand, creating loyal customers.

‘A young athlete in the US wears Nike running shoes, both because he thinks they will help him perform better and because they are a fashion statement. Their purpose is both functional and symbolic. Of course most people who buy Nike shoes don’t run in them at all – expect for the bus. They don’t even exercise. They simply show off in them.’ (Olins and Olins, 2014. P.17)

To ensure that their products are recognised by their potential, or loyal customers, the companies ensure that their products are easily recognisable. This component of brand equity is encompassed in the brands identity; with the use of their logos, tag lines, colouring and product designs. Ensuring consistency through their quality and brand identity, combine to ensure they instil brand equity and ensure a constant stream of custom. Generating brand awareness for positive reasons establishes the brand in the mind of the consumers when something related to the product is brought to mind. Google is a perfect example of positive brand equity and brand awareness combined ensuring that it is most Internet users first choice of search engine. Google is easy to use allowing instant access to millions of results on all devices. This consistency has


created global positive brand equity and has allowed the search engine to dominate the Internet; generating vast amounts of profit due to the brand equity it holds, allowing them to invest in brand advertising, further securing customer brand awareness.

Supreme clothing brand is another example of a brand that has created positive equity and an ultimate community of loyal consumers. At a recently clothing release, I witnessed thousands of the brands eager customers queuing for hours on end in an attempt to purchase a plain hoody with the simply designed Supreme logo printed on the chest (Figure 8). Many of these customers are prepared to queue every Thursday just to purchase an item from the brand. The brand has developed its equity over the years producing all types of clothing and items. In a interview I conducted at a Supreme clothing release it was brought to my attention that Supremes product line once included a brick, with the brands logo located on top, along with a range of other obscure products.

The brand wears you. They literally sold a brick, did you know that, for £28 and it was reselling for £60. They made a key ring with a ball bag on it, a crowbar and a fire extinguisher. Us mugs queued up and bought ball bag key rings!’ (Jarvis, 2016)

Apple has also created a globally successful brand image. Apple has promoted the idea that the brand and all of its products are sleek, modern, reliable and cutting edge. This positive brand image has ensured that they have loyal customers across the globe; one of the most important relationships a brand has with its customer. Apple have established this positive equity by producing high quality state of the art products, providing high quality customer service and ensuring there are no negative stories about the company in the press. By continuing to emit this image the company has created trust and commitment to the brand, elements that are key in creating a successful brand. Trust creates

‘Consumers believe that the brand will deliver its promise, respect them, and be open and honest with them.’ Whereas commitment creates ‘Consumers feel some longer term emotional attachment to their relationship with the brand.’ (Clifton, R, 2004. p.99)

The company has created a positive image though out the brand not just from its products but also from the shops and the environment. The environment is a big subject that a lot of people think about and care about, Apple has been clever and made its company 100% environmentally


friendly and also helping the environment. The company has seen something that costumer’s care about and solution causing more positive equity, image, loyalty, trust and commitment. Apple is a innovative company and has always put the costumer first and has come up with solutions for it consumers keeping them happy which means when the next iPhone comes out they now the loyal customers are going to purchase a new one every year. Supreme and Apple emphasizes the phrase ‘the brand wears us’. They have both built a large loyal fan base that their customers will buy their products even if they perform the same functions or have no value at all, purchasing the products purely for the brand. Brand equity is a key element in creating a successful brand although a brand also needs a positive image to ensure their customers are not deterred from purchasing a brand products due to external factors reported in the media.  

Abercrombie and Fitch (A&F) have created a unique brand image, with often controversial and offensive aspects of their brand identity being discussed in the press. The company has a range of stores, all showcasing half naked men and women modelling the clothing in the store whilst working. The company will thus only employ staff that they believe represent the brands idea of ‘beauty’ and ‘attractiveness’. Brand ambassadors freely admitted that the staff represented the people they would like wearing their brand and explained that the clothing is only made up to a certain size, as they would not want customers exceeding this size to be seen in the clothing. The clothing giants Chief Executive Offices openly admitted this aspect of hiring policy stating that they ‘hire good-looking people in our stores. Because good-looking people attract other good-looking people, and we want to market to cool, good-looking people.’ (Farfan, 2016) Whilst this has proved controversial, it has become to be a very successful marketing technique, with customers lining in the street for the opportunity to get a photograph with the welcoming staff. The company has gone to extreme lengths to keep their brand identity and emit the image they would like to portray and ensure their marketing hits the intended target audience, and admit that the brand really don’t care what anyone other than our target customer thinks.’ (Farfan, 2016) This target audience again has proved very controversial and has caused vast discussion amongst the retail community, along with the general public. In another interview with A&F’s Chief Executive Office, Mike Jefferies states:

‘In every school there are the cool and popular kids, and then there are the not-so-cool kids. Candidly, we go after the cool kids. We go after the attractive all-American kid with a great attitude and a lot of friends. A lot of people don’t belong [in our clothes], and they can’t belong. Are we exclusionary? Absolutely.’ (Farfan, 2016)



An A&F manager, whom preferred to remain nameless, furthered the negative press surrounding the brands target audience by stating ‘Abercrombie and Fitch doesn’t want to create the image that just anybody, poor people, can wear their clothing. Only people of a certain stature are able to purchase and wear the company name’ (Levinson, S, 2015) then joking that the brand would rather burn excess stock than donate it to charity. These comments sparked outrage amongst the press and public. Elite Daily, an online newspaper, wrote several reports on the A&F debate and their views towards the tarnished brand, one article stated;

‘Despite the bad economy and all the people who could use a little help, Abercrombie and Fitch prefers not to sacrifice any bit of their superior, cliquey image in order to help anyone but themselves. This company is completely outrageous. Think of all the clothing they could have donated to people like the Katrina victims, or for the Haiti relief. In today’s world, consumers are looking for altruistic companies, not those littered with biases and preoccupied with superficiality. This type of bad business will hopefully lead to negative results for this clothing giant.’ (Levinson, 2015)

Sales at A&F stores plummeted due to the scandal with a steady decreasing profit margin and the value of their stock prices fleeting, financially representing the brands now negative equity due to the poor brand image. Due to this, A&F bosses have been forced to rebrand in an attempt to regain custom. "This Is Abercrombie & Fitch", a new campaign video was released in late-2016 highlighting tags lines such as ‘People have a lot to say about us’, ‘They think they've got us figured out’ and ‘Time to start afresh’. ‘Time to start afresh’ seems to be the key element of the rebrand, with the brand creating new adverts, clothes, online website and deleted all posts on Instagram, creating ‘a clean slate.’ (Mccall, 2016) As of yet, the company is still to see an increase in stock value. Before the infamous insight into the key components of brand identity, stock was valued by the New York Stock Exchange at around $70.69, on April 11th 2008. Stock plummeted down to $19.33 by November 28th 2008, and whilst it did manage to rise to $74.22 by May 20th 2011, it has steadily decreased down to around $14 by the end of 2016. (The New York Stock Exchange, 2016) Whilst the brands future equity is still unknown, this highlights the necessity of both positive brand equity and image. The clothes may be of good design and quality, but this is completely overshadowed by the companies’ attitude towards the customer. In this sense, the company has neither the customer wearing it, or the brand wearing the customer but this highlights the necessity for good brand image for the company to be in control of the customer.



‘The brand is controlled by us – the customers. When a brand is really successful it can take off in way and at a pace, which bewilders those who purport to be in charge of it; and when a brand gets into trouble the opposite can happen. Look at Gap, which lost touch with its market place and tried to sell things people didn’t like anymore.’ (Marketing, 2014)

The perfect example of rebranding to ensure the company regains jurisdiction of its customers is Burberry. Burberry was previously associated with anti-social behavior and fake products and now is now a globally desired luxury brands. Burberrys Chief Executive Officer, Christopher Bailey, rebranded its target audience. ‘Deliberately targeting what Ahrendts called ‘millennials’ — young customers — because they believed their competitors were ignoring them.’ (Ostler, 2014) To target the younger audience they used influential younger celebrities with a strong presence on social media, like Cara Delevingne and Romeo Beckham. By paying celebrities to wear their brand in public, have them on their advertisements and promote it on social media, they amended how the customers perceived their brand. Christopher Bailey then made the decision to concentrate on the heritage of the brand. They forced on trench coats and moved all fashion shows back to London; this gave the brand its image back and also its identity. This is called selling sense of roots, it creates pride and captures more consumers as brands that represent nationality helps promote a product and create trust, as patriotism is often successful. To continue this London image they made the decision to use models from England or even models that have an ‘English’ look. Whilst Abercrombie & Fitch’s choice of models proved controversial, it has worked in Burberry’s favour. Burberry has become an iconic London image and a high-end image to wide audience this proves the decision made by the company has used amended elements of brand identity and brand image that have captivated the revised intended audience and also demonstrates the how good brand image promotes the success of a brand.  Whilst the products are expensive, limiting the number of customers, the desire for the products is not limited. The brands image has made the products iconic; the Burberry trench coat is now seen to optimize British style.

Successful brands need positive brand equity; this positive brand equity is built by a strong brand identity, a positive brand image and reliable produce. Brands such as Apple and Supreme have all of these components which has led to a large customer base that purchase their products, whether they are necessary or not. Thus they have their customers buying into their brand. These companies will have buyers no matter what the product is, purely because the consumers are a



fan of the brand itself and the image it has. This exemplifies the fact that a successful brand wears its customers.



































Do We Wear The Brand or Does The Brand Wear Us?

Chapter Three   - Brand Psychology


We, the consumers are making decision on things in everyday life from moment we wake up until we fall asleep; we are exposed to around 3,000 to 10,000 brand exposures every day. With products such as the iPhone and Apps like Facebook and Instagram, at a touch of a button we are seeing adverts and brands on every page or in every picture. In branding, psychology is probably one of the most important elements a brand needs to understand, as unlocking the reasons to why the customer needs and desires something and their actions to wanting to buy something will allow them to make decision on their marketing that will benefit the company and boost sales.  

As a brand is established, in the identity stage, creating a logo or a colour scheme can be difficult as the impact of colour is subjective, different colours emit different emotions to different audiences. For example someone might say the colour red is for power or hate however another person might argue it means love. These are things a brand needs to consider when creating its visual elements. When we talk about psychology in branding we a look at one specific part of the brain, the unconscious side. ‘The initial (“gut’) and final (“spend money”) decision. The silent side is, or should be, to the adverting executive, the “sell to” side.’ (Maddock and Fultio, 1996) This side of the brain is making decisions for you, without you realizing, as your walking around the store or scrolling online. Stores have ways that can enhance your decisions you make on an item and create more need a desire for them with the use of Sensory branding, they do it in a subtle way but have a great effect on the costumer. This has become a key and successful strategy found in nearly every shop. ‘Intimate touch lays a hand across the screams of solitude. Equally, merely touching an item can trigger emotional attachment.’ (Gabay, 2015. P.196) When in an Apple store customers are encouraged to touch and play with the products; customers are encouraged to test out the new technology, to listen to music, go on the internet and play games. This is all a strategy to create an emotional attachment to the products, as engaging in a product via touching something enhances this feeling and creates more need for the item. This technique entices millions of potential customers into their large, open plan stores each day. Customers are made to feel comfortable with the products and understand how to use the product before purchasing, whilst being encouraged to sample other products in Apples range.

Sensory Strategies isn’t limited to touching; clothing brands use smell to sell their products. Making the costumer feel relaxed in the store entices the customer in, and encourages them to


stay longer. Spending longer in the store allows more time for the customer to make a connection with the products, increasing the likelihood of a sale. The customer then is lead to associate these smells with the brand, so now the company produces these fragrances as perfume and aftershaves, promoting the store and its products on its clients on a day-to-day basis. Sight also plays a major factor in brand psychology. Jonathan Gaby explores the impact of sight on purchasing power in his book Brand Psychology; Consumer Perception and Corporate Reputation. He explores the idea that packaging is like the brands face, using examples such as Cadbury’s which has a recognizable purple package, like a recognizable face you would notice in a crowd. A brands identity is a brands face, and when you see this face or a face familiar it may trigger emotions. Customers may remember when they last opened a box of their favourite product and remember how excited they were to open and see their new item. All of these elements are in place to create a cycle that happens every time the costumer purchases and item in store or even online.

For brands to understand the human psychology in consumer behavior we need to ask the following questions: ‘what do consumers need? Do they really need those things or do they just think they do?’ (Work, 2014) Maslow’s Hierarchy of Needs answers these perfectly in a pyramid with five stages (Figure 9).

‘Biological and Physiological needs - air, food, drink, shelter, warmth, sex, sleep. Safety needs - protection from elements, security, order, law, stability, freedom from fear. Love and belongingness needs - friendship, intimacy, trust and acceptance, receiving and giving affection and love. Affiliating, being part of a group (family, friends, work). Esteem needs - achievement, mastery, independence, status, dominance, prestige, self-respect, respect from others. Self-Actualization needs - realizing personal potential, self-fulfillment, seeking personal growth and peak experiences.’ (Mcleod, 2007)

These needs can be related to our need and desire for brands. “Notice as you travel up the hierarchy, each need becomes less essential for survival and more emotional.” (Work, 2014) The need for love and belonging are a big need in our lives and a need that pushes us to become obsessed with a brand. It is human nature to want to be a part of something and looking to be friends with people who are interested the same things. Normative conformity, ingratiated conformity, informational conformity and internalized conformity are very similar to Maslow’s idea into love and belonging. The young generations today are buying to brands and becoming


obsessed with them in aiming to ‘fit in’ with their peers and be socially acceptance through wearing and buying a curtain brand.

Street wear giant Supreme is globally known throughout the street wear community and has become very popular over the last 5 years due to celebrities wearing the clothing in music videos or in photos posted on Instagram. Supreme has become a powerful brand, a brand that entices the fans of Supreme to queue up on a Thursday from early morning just to get an item of clothing and to feel part of the Supreme brands social circle. Many of these costumers walk up and down the street with their friend in groups covered head to toe in Supreme items.

When you walk down the street people look you up and down to see if your worthy of getting something limited edition on sale. They stare at you to see what you’re wearing. You almost have to wear something, preferably everything, Supreme to feel like you fit in here.’ (Macleod, 2016)

Thousands of Supreme customers feel the need to wear something Supreme just to fit in, be able to queue and walk down the street with their peers. The customers I interviewed admitted that they may no feel accepted or as part of the group, they are queuing for hours to be part of, if they did not wear Supreme clothing to the Supreme shop. This is internalized conformity ‘to publicly changing behavior to comply with the group, the consumer directly agrees with such behaviors’ (Gabay, 2015. P.168) This reflects the assertion that the customers are buying the brand rather than the clothing itself. I got T-shirts that don’t say Supreme on them, the quality is decent and the prints are good so I will buy it but if it’s something I don’t like I won’t buy.’ (Laing, 2016) It would seem that sometimes it’s not just the brand encouraging us to wear a brand it’s also our feelings our needs to be a part of something and feel accepted. However, brands manipulate these desires to fit in by owning their clothing and attempt to enhance them. Brands, including Supreme, use a range of methods and marketing techniques in an attempt to make their clothing ultra-desirable. By making clothing limited edition or having limited stock promotes desire.

Consumers might change the way they like to do things, make purchases, gather information, and spend their time, but their basic psychological needs and philosophical causes of action are the constants that marketers can always count on.’ (Work, 2014)




Brands use a range of techniques in order to ensure their products are sold to their loyal customers, but it does seem that these techniques, if successful, play on innate human emotion leaving the customer with almost no choice but to want to be a part of the brand. Promoting the feeling of inclusion, to be a part of a wider society seen as ‘popular’ ensures that a steady flow of customers purchase products because they feel they need to. Thus, brands have control over the customers and whilst the customer is wearing the brand, the brand has embedded them within the customers mind, controlling their choices and influencing their decisions. If the brand uses these marketing methods well, as represented by Supreme, they are wearing the customer, as the customer wears nothing but the brand.




























Do We Wear The Brand or Does The Brand Wear Us?

Conclusion 


After investigating the main components that create a brand, it transpires that brands that successfully encompasses all elements are able to wear its customer. A brand with a strong identity combined with a clever product design has the ability to become recognizable, often on a global scale, firmly placing the brand in the customers mind as a reference for that product. The perfect example of this would be Nike, the Nike ‘swoosh’ can be found on all its products, thus all of its customers, reminding everyone whom  that sees the clothing or customer of the brand.  This shrewdly turns the customer into a walking advertisement, essentially, the customer is paying to promote the brand.

In chapter two the importance of the customers perception of the brand is highlighted, as this brand image directly impacts a brands equity and without a positive brand equity the brand cannot be successful. Gaining a positive brand image and thus positive equity can be established in a range of ways, but the stand out factors are seen to be; the quality of the products, the brands values and publicity and who is wearing the brand. Apple is a prime example of good brand image and equity leading to excessive sales of often unnecessary products. The company is viewed as sleek, state of the art and modern as they improve and develop products each year and providing solutions to problems that help their customers, creating a blindly loyal relationship between brand and costumer. Apple, as it seems, is ‘wearing’ billions of customers across the globe.  On the other hand, Abercrombie and Fitch, represent how a negative image impacts the sales of products, without the sale of products the company is unable to engross the consumer and as such the client is just wearing the brand.

Whilst a focused brand indemnity and image are fundamental for a brands success, it would be naive to assume that these elements just happen to become successful. Chapter Three explored the fact that a company will spend thousands to millions, depending on their size, investing in consumer research to gain an understanding of a customer’s product selection. Once a brand understands this, they can enhance our feelings towards products, ensuring their products are selected, by using strategies boosting sales and turning the first time customer into a loyal customer. Loyal customers are ultimately customers that are paying to be worn by the brand.




At the start of this question ‘Do we wear the brand, or does the brand wear us?’ I personally always thought the brand wore us but I didn’t quite understand why. From the research I can finally understand why costumers buy into a brand, they are manipulated to do so. Going to the Supreme box logo release, in London, was a real eye opener in to how people become obsessed with and loyal to a brand. This affirmed to me that the brand is wears its customers and that we are all controlled by the brands. It is clear that our own natural feelings encourage us to wear a company’s logo to fit in with our peers and feel accepted providing the perfect platform for a brand. One could argue that the customer is making their own decision and only purchasing a product because they like it, however the reasons as to why a costumer likes an item has been influenced and manipulated by the brands elements. It does seem that we are all walking mannequins, living in a giant store.



















 




 

List of Images


Figure 1: IBM (2012) Available at: http://www.famouslogos.us/ibm-logo/ (Accessed: 8 January 2017).

Figure 2: Supreme (clothing) (2017) in Wikipedia. Available at: https://en.m.wikipedia.org/wiki/Supreme_(clothing)#/media/File:Supreme_logo.gif (Accessed: 8 January 2017).

Figure 3: Supreme box logo (no date) Available at: http://cdn3.bigcommerce.com/s-p7ww7/products/393/images/803/boxlogogrey__42680.1418318336.500.750.jpg?c=2 (Accessed: 8 January 2017).

Figure 4: Scout, H. (2016) The psychology of color in marketing and Branding. Available at: https://www.helpscout.net/blog/psychology-of-color/ (Accessed: 8 January 2017).

Figure 5: Coca-cola life (2017) in Wikipedia. Available at: https://en.m.wikipedia.org/wiki/Coca-Cola_Life#/media/File:Coca-Cola_Life_Logo.png (Accessed: 8 January 2017).

Figure 6: Admin (2014) Tech packaging that adds value to your product. Available at: http://www.trendingpackaging.com/tech-that-adds-value-to-your-product/ (Accessed: 8 January 2017).

Figure 7: Nike leggings (no date) Available at: http://media.very.co.uk/i/very/6P9PD_SQ1_0000000019_BLACK_WHITE_MDe?$266x354_standard$ (Accessed: 8 January 2017).

Figure 8: Supreme box logo (no date) Available at: http://cdn3.bigcommerce.com/s-p7ww7/products/393/images/803/boxlogogrey__42680.1418318336.500.750.jpg?c=2 (Accessed: 8 January 2017).

Figure 9: McLeod, S. (2007) Maslow’s hierarchy of needs. Available at: http://www.simplypsychology.org/maslow.html (Accessed: 8 January 2017).




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